Himmelblau und Morgenrot

How do you describe the color of the sky?

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This summer my creative focus has been on color study, observing and learning descriptors, qualities and names. Many of the techniques were based off of a wonderful older book titled Watercolor Technique by watercolorist Rex Brandt. The introduction provided such an accurate and beautiful description of painting in the medium that I knew this was a man to learn from.

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I ordered a copy of this man’s writings for my personal library simply because of this one quote.

The artist’s feelings and thoughts cannot be readjusted, buried or hidden. (Rex Brandt)

Paper and water carry the painter’s emotion through the tiniest bit of pigment. Yet the choice of pigment matters.

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These included studies in color, transparency, layers and value. I played in washes and observations. I visited museums and spent time outdoors soaking in hues throughout the day.

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Versions of color studies can be seen within the newly opened Bauhaus Museum in Weimar. People love a color wheel. My appreciation for color studies began last summer with a visit to the Cooper Hewitt’s exhibition, “Saturation:The Allure of Science and Color”. (Also, reason number 1000 why I believe education should be pursuing STEAM and not STEM programing.)

As Fall approaches, I will be revisiting my summer explorations.

My sky studies were my favorite portion of this summer color study. I’m thinking of sharing these studies through a type of watercolor challenge series on Instagram, because they were so fun.

Which leaves me with how do you describe the color of the sky?

I’m still not sure I can describe the color accurately by pigment color. You?

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Even Artists Have Seasons

I am incredibly grateful for a recent artist talk by the remarkable Alice Ballard. It was a reminder to me that there are seasons. I painted a LOT in the past two years, yet I still have so many ideas to put on paper.

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Studio guilt.

It’s a real condition. The inner critic is so loud sometimes. And mine even speaks in two languages!

Why aren’t you in there in the mornings before work or at least a few minutes after work? Was ist denn los mit dir???

Alice reminded me that even if one isn’t producing, an artist is mentally always creating and processing new ideas, thoughts and work through their daily encounters. (All the emoji praise hands!) She spoke to exactly where I am ... and extended the grace I needed to hear. That these seasons provide the material for the works ahead.

And I love that.

I’ve discovered that my studio rhythm includes painting more through the months of April-December, while January-March tend to be times for where I am more in tune to the bookkeeping, reading and studying type of work. And so that is what I have been doing.

My Spring Shop is now open online. It will be open through May. I hope to add to it a bit in the weeks ahead. Putting all the works together helped me realize how productive the last two years truly have been.

Take that, Studio Guilt.

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Silvester and Art Goals

Silvester is another name for New’s Year Eve in Germany (owing to St. Sylvester’s feast day on Dec. 31). The Germans will also wish you a guten Rutsch or a good slide into the New Year.

I hope you’ve had a good “slide” into the New Year. I happen to love this time of year, because I tend to be a reflective person. And I enjoy making plans and goal setting as I look back.

This past Spring I studied eggs and the nest structures of the backyard birds.

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I watched all these backyard birds. The nest building, the feeding, the nest cleaning, and more feeding. Toil, yet with birdsong in between.  

And that sums up my hope for 2019. More birdsong in between.

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To be occupied with a gladness of heart in the midst of the day to day.

Birdsong.

For those of who who might be wired a bit like me, here are a few questions I ask myself at the beginning of each year as I set a few creative goals. They help me set my day to day. Some are from a great workshop I attended two years ago. Others are from books I’ve read.

  1. What makes me feel successful as an artist?

  2. What are my roles and my goals? Is my time and are my commitments directed towards them?

  3. Why do I make art and to what end?

  4. Is my work career driven or mission driven? Is it about recognition or impact? Ego driven or vision driven?

  5. What do I want to create this year? Why?

  6. What do I want to learn this year? Why? How?

I’m still working through my answers to a few of them. For more information on the workshop visit Artist U. It’s a good one for those exploring creative careers.

Happy 2019!