Watercolor is a good friend. She is quiet and listens well. Because she demands patience and a gentle touch, she tends to quiet the soul. And she doesn't require much. She is quite happy with a glass of water and a little air. Add a sprinkle of salt and watch magic happen.
Some don't understand her. But they just haven't gotten to know her.
So please, let me introduce you to my friend, Watercolor. You should know that, sometimes she spells her name with a "u"... Watercolour. :-)
All personification aside, (and hopefully you haven't hit unsubscribe because of it) - I am currently teaching a small watercolor intensive to a few friends. While I've taught afterschool art to children, I have never taught watercolor to adults. At one point in college my major was art education, but I realized very quickly that it takes a special kind of bird to teach art.
I tend to loose my words while I am painting, so to do a demonstration and explain what I am doing at the same time is really hard for me. It's as if adding the process of painting into this bilingual brain, jumbles all my words and sends them on vacation. And then some things in the creative process are simply hard for me to explain.
However, I am enjoying finding those words so that I can share something I love so much with others.
While nothing can compare to active learning in a class setting, if the world of watercolor is of interest to you, I'll be typing a few blogs simply for the sake of sharing more about the medium of watercolor. (And to help me find those art instructional words.)
So here's Part 1.
PAPER & MATERIALS
140lb Kilimanjaro Cold Press Full Sheet
On Paper. The kind you get matters. It's like a PB&J versus steak dinner kinda difference. Full sheets typically require stretching, unless the paper is a heavy weight. Stretching is basically, wetting the paper completely, securing it to a surface and then letting it dry.
Watercolor paper typically comes in the following weights. 90lb, 140lb and 300lb. 90lb is student grade. 140lb is probably the most popular due to quality and price. 300lb is thicker and does not require stretching. It's almost like cardboard. I typically paint on 140lb.
What does weight mean? A manufacturer will weigh a ream of 500 sheets of paper in its uncut state and gives it a number to indicate the paper’s weight. Weight indicates the quality (and usually the price) of the paper.
Texture describes the surface finish on paper. Texture can help define the character of the painting.
Hot press: smooth and slick surface. It doesn’t allow for as soft of color transitions. Good choice for detailed and illustrative work.
Cold press: What I most use. Water absorbs well and allows for many techniques.
Rough: Bumpier surface than cold press. Good choice for textural surfaces like rocks and such.
WATERCOLOR BLOCKS
A watercolor block is a stack of watercolor paper that is attached together. The sheets of the paper are trimmed to size and then stacked upon each other. That stack of art paper is then attached to a backing board with a padding glue. This glue is applied to all four sides of the paper. These don’t require stretching. You will find an opening at the top of the gummed pages. Peel your completed paper off the stack when you are done.
AQUABORD
This is a fairly new and interesting surface to work on. It allows for the lifting of watercolor and for much more room of error than paper. However, it does not absorb the water and pigment in the same way as paper does. Ampersand makes these.
PAPER BRANDS
Arches Paper has been around since 1492. It is high quality and has an interesting history.
Fabriano is also high quality and lovely paper.
Kilimanjaro paper is another brand with nice quality. You can find it online at places like Cheap Joes.
PAINTS
I now LOVE Daniel Smith watercolor paints! But many other manufacturers make high quality lovely paints. Winsor Newton offers high quality paints and also a few tutorial videos on their sight.
Quality will matter, but I do not recommend that a beginner break the bank on paints.
Colors. You will want a blue, red, yellow, green, probably Raw Sienna and Payne's Grey. But honestly, there are SO many colors to choose from! I prefer to let students experiment with various colors to find those that resonate most with them. My most favorite color is Payne's Grey. Greens can be tricky. I like Sap Green best. A Hansa or Cadmium yellow is good. As far as blues, I like a Winsor Blue with Red Shade and a French Ultramarine. And Daniel Smith Pyrol Orange is a new favorite color.
If you are new to watercolor you will want a palette with a cover if you use tube paints. You simply cover what you haven't painted with and reuse. reuse. reuse. reuse. These paints really go a very long way.
If you'd like to know more, here is a great blog entry about watercolor paints, pigments and why the good stuff costs more.
OTHER SUPPLIES / MATERIALS
Masking fluid, brushes (round and flat), paint pallet, sponge, salt, saran wrap, gauze, gator board, staple gun, painter’s tape, pencil, eraser, tracing paper, paper towels. More about them later.
Giving credit, where credit is due. My watercolor knowledge came later in life for me. From the kind and thorough instruction of Tom Herzog.
In college, I thought I was too cool for watercolor and only hung out with Oil, Acrylic and Screenprint. I now know who the real cool kids are. I am forever grateful for the opportunity to learn about the medium of watercolor.